The winter painting kit is much smaller and easier to carry than the warmer weather “haul the whole studio if you can fit it all in the back of a Mini with the back seats down” effort. At the top is a water cartridge paintbrush and Pitt indelible marker. I usually pick one paint kit - the smaller Altoids box of gouache primaries or the watercolor kit with more colors. The cut-off sock cuff slips onto the paint container and fastens down with the rubber band. On site, I pull the sock onto the wrist to serve as a “paint rag.” Completing the winter kit a 3.5x8.25” Handbook. An even more compact choice is a 4.25x3” Pentalic Travelers book, or for real winter luxury, a Handbook 7x10.25.” Everything fits in the secret phone compartment everyone has in a coat or a hip pocket. Add a headband to warm the ears, fingerless foldaway mittens and you’re all set.
Worked a bit more last week on the larger piece for the Working the River series. 72'' x 48''. I enjoy working in acrylic for quick dry, easy layering and glazing. Coming along.
A basic rough-in drawing on the concrete I sawed in half (photo from a couple of days ago) hoping this will become a bas relief. The horizontal marks are from the saw.
After cleaning brushes, suspend them with tape to allow them to dry. This action keeps the ferrule from rusting or deteriorating from moisture. Also works for drying roses.
We’re so pressured in this country for product and outcome, we seldom give rest the respect it’s due as part of the creative process. After a press to make several pieces for the show, I am able to relax ~ at least in terms of art making. Gently clean the pastels. Sort them again by my palette and what makes sense to me. Enjoy how pretty they look before diving in and creating color chaos again.
A marvelous evening at the Oregon Book Awards. The theme of the winner’s comments, to me (we all hear and resonate differently with our experience to find meaning) is:
press on in spite of circumstances or who bludgeons you with can’t.
Pulitzer Prize nominee, Larry Colton’s colorful acceptance speech of the Stewart H. Holbrook Literary Legacy Award powerfully advocated the need to support teachers. He related failing his college placement English segment, and flunking the requisite remedial “bonehead English course.” His professor was less than kind, yet, Mr. Colton is honored for a lifetime spent writing and mentoring teachers.
Storm Large, whose one woman play Crazy Enough transformed my personal vision, won the Creative Nonfiction award for her autobiography by the same title. All of my life, those who want desperately to maintain their status quo have told me I’m too much, too loud, too intense, too strong, too something very unacceptable and Ms. Large’s courage to share her story, in one magical evening shifted my perception and replaced the negative programming with the idea I too am “crazy enough” to make something wonderful with my talents and strenghts.
Ismet Prcic, in an after party conversation said his uncle told him he’d never accomplish anything because he “couldn’t speak English.” Mr. Prcic carried home the award for fiction. The take away for me was his closing remarks of acceptance,
“You can’t do it unless you do it.”
Portland writers are collegiate, open-hearted, fostering and generous with their time and abilities. A writer friend graciously remembered and asked me about my project even though we’d not seen each other for months. Affection and support undergirded encouragement and I came home from the evening feeling like Wonder Woman, ready to finish off a few books, screenplays and poems ~ one word at a time.