My art career began with a gallery at age 15 and I’ve enjoyed juried and solo shows, with a retrospective and awards. The inquiry of art making is a perpetual process of self-examination and exploration rather than arrival at the destination of an answer. Whatever medium I choose to express a feeling or idea, the consistent thread through the work is a love of color, line, and a leaning toward impressionism. I use a limited, clear-color palette for each painting, more recently utilizing a palette knife to supplement brushes, and incorporate intentional mark-making and drawing. The dedication to portraying the vigor of the subject remains consistent while varying the mediums provides an opportunity to inform each image in terms of technique, execution and subject.
"E.T. and Me" holds landscape space for the occasional homesick side trip to locations and experiences bred into my wild Alaska bones. I believe vibrant art comes through fearless exploration, the images bubbling up from the depths of living creative water pouring through all of us from a generous Universal river.
The series, "Working the River," gives a nod to the the American movement of Precisionism with abstract foreground, background exchange. I became intrigued with the old mill buildings in Oregon City, especially when I understood some of them are slated for demolition. Later, the series expanded to include other areas and structures.
I love the excitement of life on a moving body of water so the river is a generous repository for concept and subject. Over the course of a year, the significance has expanded to include the “river of life” and “ocean as repository for the river." As the Precisionists, I want these paintings to convey I’m passionate about noticing and recording a disappearing world. "Working the River" respectfully bows to ancestors who worked the river, the river’s bounteous provision growing up and to artists as adventurers.
"Living Their Memories" is a portion of a planned larger installation. I’m fascinated with the past as more influential than we are aware to the present choices we make as individuals or groups. Science has substantiated many of my own conclusions regarding energy, DNA, history and the heretofore unrecognized influence of progenitors and their decisions on subsequent generations. People resonated to this show of two dimensional work, if tears and an excitement to share their own stories is a measure. A three-dimensional installation will hopefully enhance the experience, impact and healing.
2018 Working The River Clackamas Federal Credit Union Gallery, Milwaukie, Oregon
2017 Working The River In Bocca al Lupo Fine Art, Oregon City, Oregon
2016 Living Their Memories In Bocca al Lupo Fine Art, Oregon City, Oregon
2014 Living Their Memories Aurora Gallery, Vancouver, Washington
2014 Borderland: Conscious and Unconscious Landscape CCAA, Oregon City, Oregon
2014 Pastel Landscapes and Florals Clackamas Credit Union Gallery, Milwaukie, Oregon
2009 Pastel Portraits and Florals Art Media, Portland, Oregon
2001 Faces, Places, and Things Along the Way Crawford Gallery, Spokane, Washington
2015 Pastel Landscapes In Bocca al Lupo Fine Art, Oregon City, Oregon
2014 Archetype: Sculpture and Paintings In Bocca al Lupo Fine Art, Milwaukie, Oregon
2016 Maps and Place In Bocca al Lupo Fine Art, Oregon City, Oregon
2016 Art Moves In Bocca al Lupo Fine Art, Oregon City, Oregon
2015 First City Paintings In Bocca al Lupo Fine Art, Oregon City, Oregon
2015 Living Their Memories In Bocca al Lupo Fine Art, Oregon City, Oregon
2015 Children of Picasso In Bocca al Lupo Fine Art, Oregon City, Oregon
2015 We Don’t Walk Alone In Bocca al Lupo Fine Art, Oregon City, Oregon
2014 Pollen Count In Bocca al Lupo Fine Art, Milwaukie, Oregon
2013 It’s All About Me… It’s All About We In Bocca al Lupo Fine Art, Milwaukie, Oregon.
2012 Summer Breeze Grapevine Gallery, Oregon City, Oregon
2002 Colville Arts Foundation Regional Art Gallery, Colville, Washington
2001 Riverbend Art Gallery, Post Falls, Idaho
1996 Kenai Fine Art Center, Kenai, Alaska People’s Choice Award
1994 Refuse Renaissance: The Art of the Found Object Best of Show, First
1994 28th Annual Kenai Fine Art Guild Show Juror Gary Lyon
1993 Kenai Fine Art Center
1993 Freeburg Gallery, Soldotna, Alaska
1992 Sacred Art Show, Anchorage, Alaska Honorable Mention
Portrait and Architectural Commissions
2018 North Clackamas Art Guild with Juror’s Talk
2017 North Clackamas Art Guild
Workshops Saturday Art Adventure Children’s Workshop Program, Kenai Fine Art Center
Spitaleri, Ellen. “New OC gallery to showcase ‘We Don’t Walk Alone.” Oregon City News/Clackamas Review, 4 February 2015.
Spitaleri, Ellen. “’Archetype’ on display at Milwaukie Gallery.” Oregon City News/Clackamas Review, 3 December 2014, p. A3.
Best Bets. “Our Picks for the week of Sept 12-18.” The Columbian, 12 September 2014, p. F17.
Costigan, Thomas. “Up To The Challenge.” Tribune, 12 December 2001, p. 9.