Creativity and Rest

Sometimes, as creatives, we consider sleep an imposition.  I learned to view sleep as a deeply restorative time for my body and welcome a rich dream life as an exciting alternative to waking and working. Studies are beginning to persuade us sleep deprivation leads to everything from weight gain to chronic illness. We are coming to understand driving ourselves with stimulants to hyper generation of effort is counterproductive to what we as artists strive to achieve. Taking enough time in our lives to darken the room, settle back and enter sleep is imperative for our health and quality of life. We’re becoming more willing to acknowledge we need sleep.

There’s a difference between sleep and rest and we are not as able to embrace rest in our culture. 

Rest is not necessarily a shut your eyes, power down experience. In music, for example, the rest - the distance between the played notes - is as significant, vibrant and necessary as the melody itself to creating the experience we have. One of Webster’s definitions of rest is relief from anything distressing, annoying or tiring and pressure, stress or weight is lifted from us. In the pursuit of our endeavors, a rest becomes as important to us as it is to a symphony performance. The place in our life of doing no thing, of waiting, of being receptive to the Spirit of Becoming is what will move in us to make something out of the richness of no thing that existed before. Everything creates in our soul before it ever becomes art, music, dance or acrhitecture. The manifestation of the arts flow out of the invisible before they become form in our known world. We need to take the time to renew ourselves through rest.  To allow our genius a time of arranging, shaping and designing in us before it can birth.

In our Puritan driven ethic we have confused busy-ness with achievement. We are sold on the idea we have to look continually occupied to be socially acceptable or suffer the (often self-imposed) guilty consequences. The bottom line is we convert time into our ally and believe the clock that pushed relentlessly before is now our friend.  We woo the instants as a lover and realize to keep the relationship we must sacrifice for it. The offering is simple. We turn inward and connect with the sacredness of ourselves and our abilities. In the paradox - the doing of no thing - the rest - we can create and become everything we imagine to become.

Resting is imperative for people who want to be creative.  These are the moments strung together when we do no-thing, then take a break and do more of no-thing to gestate ideas to emerge when we return in creative high gear.  We stop and listen to our own breath; we are quiet enough to hear the leaves falling down through the branches in the fall, and sit in the sun to let ourselves be warmed without thought of what we must do to receive the gift. That space cultivates inspiration. The miraculous alchemy is by becoming inactive we manufacture an increase of energy to extend ourselves far past the period of usual physical accomplishment and time itself seems to extend and expand to accommodate our desire to bring forth.

Years ago, when I asked my youngest step-son what he was doing, he would say nothing. “You’re not sleeping?” (It looked to me like he might be sleeping.) “No, I’m doing nothing.” “You’re not watching t.v.?” “No, I’m doing nothing.” On we would dance through the list of options and he would come back to the core of his premise of doing no thing. I think, looking back, he was wiser at eleven than I ever will be about resting and doing no thing.  And believe me, he had the energy to prove it.

 

 

Honoring creativity where we find it...

I am privileged to play music with a great group of people. As a result of the “economic downturn” there haven’t been the usual financial donations to purchase new music scores. Some humorously said we should set up on the street in downtown Portland and put out our hat.  I told the orchestra I had a problem with that allusion because street people were actually trying to make an honest living when they offered their music to indifferent passersby. Intruding felt disrespectful to me. My husband told me later he had an hilarious picture of the chaos of sixty people with instruments, stands, sheet music and paraphernalia creating such a backup in traffic people had to go blocks out of their way to get around.  Whether or not  it was because he had to eventually go home with me, when he understood, my spouse agreed with me.

There is metaphor in here somewhere.  An orchestra needs money and its okay to hit people up for hefty donations.  A street musician does the same thing expecting much less and how far out of our way do we go to avoid him or her? People who perform on the avenues are making a straightforward attempt to earn their living and exchange for what they receive. Melody is one of the most powerful energies of the Universe and when a homeless person offers music they gift us.  They deserve remuneration just as those who appear in the posh venues do. For us, the only difference between a sidewalk concert and one in an elegant hall is, we are buying our physical and emotional comfort. Some of us are paying to be seen.  Some of us shell out the cash so we can say we have seen.

Street performers play in plain awful conditions - poor acoustics, noisy distractions, inattentive audiences, bad weather. In 2007, a world class violinist, Joshua Bell, played a 3.5 million dollar Stradivarius violin in the New York subway and had one person stop to listen for only three minutes.  Bell made $32 dollars and change for the same concert people purchase hundred dollar tickets to hear. “It was still almost hurtful sometimes when somebody just walked by when I really did try to play my best,” he said. “It was difficult to see.”

A homeless person who hasn’t had a meal in days starts muttering and we call them crazy. We label it psychotic break.  Religious fast for days and their mumbles and manifestations are called visions and canonized. We are one paycheck, one catastrophe, one label away from becoming the people we go to such lengths to avoid. The homeless are teaching us about ourselves.  How willing are we to examine and live in the depths of our compassion?

Joshua Bell playing in the subway illustrates it’s all in how we look at things, what we are willing to see. By honoring the creative beauty in others with our time and our money, as we are able, we honor our own creativity.

For the complete Joshua Bell story see the Washington Post story or for a synopsis the Reuters article.

http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html http://www.reuters.com/article/entertainmentNews/idUSN1124665920070411