
Having a great time exploring the new acrylic gels and texture mediums.

Having a great time exploring the new acrylic gels and texture mediums.
November and December could fall through a manhole, never to be seen again, and I wouldn’t miss them. Difficult memories trigger melancholy autumn reveries ~ if I agree to them. Some years are better than others and some experiences hurt too much for words.
Grief was the national endowment this holiday season and, over time, we’ll each find a way to pay tribute and evolve meaning for a better world.
I live for 21 December ~ the return of light. The week between Christmas and the new year is a period of reflection, chalking up progress, metabolizing regrets, setting intentions for the next twelve months, reorganizing for maximum efficiency and sending less used items to goodwill or recycle. I reevaluate my priorities and cast ahead to see if
the path I’m on will lead me to the feelings I want to have over the next 365 days.
This is a self portrait from the dark days of the past quarter. In her opening remarks at a Doll Gardner Gallery exhibit, Karen Van Hoy stated studies show red elicits aggressive responses yet when tinted down to pink, the same color is the most peaceful. I found the concept fascinating and experimented with the idea. This type of mark making has been with me for most of my life. I’ve tried unsuccessfully to elegant up and decided raw, unadulterated interaction with the support and medium is how I am able to most fully express.

Self Portrait in Contrasting Shades of Emotion, 2012. Oil paint and bars on canvas, 30” x 24”.
I’m convinced CD’s were invented by a techno geek who was tired of fishing the three-year-old’s PBJ sandwich out of the VHS drive.
I’m excited about a new series I’ve been working on for the past few months.
The work is a radical departure from previous efforts and combines my love of sculpture, photography, painting and drawing.
These posted images are of photo transfers and acrylic skins on steel plate. I’m working in copper, aluminum and brass, as well as dimensional formats. The “paintings” combine my current images of contemporary structures with my father, grandfather’s and great-grandfather’s photographic portraits.
The pieces give form to my interest in genetic memory and it’s impact on our beliefs and choices.
Friend and teacher, Corrine Loomis Diets, visited my studio recently. While she taught me the initial transfer techniques she remarked that she’s never seen anyone try color photo transfers or photo skins on larger metal supports. She was so enamored we took a field trip to my favorite suppliers so she could try a few for herself.
It’s always gratifying when explorative efforts spark creative dialogue.
Communion. Photo transfer and skins on steel, 18” x 12”.
The first larger effort and while technically this falls a bit short of my imaginitive mark, the communication of intent is satisfied. Communion combines my image of the Florence, Oregon bridge with a portrait my father took in the early 1950’s.
No Clearance. Photo skins on steel, 18” x 12”.
Images of my father as a young boy (photographed by his father), and my father at the end of his life, illustrate the impact of self as observer in our lives. The structure is a railroad stop in Chewelah, Washington.
Oct 2012, graphite drawing
After two days, 860 pages (I’m always polite about reading the acknowledgments) and a struggle to learn the language, customs, geography and history of dwarves, elves, Urgals and dragons, I crashed landed back in reality this morning.
Suspending disbelief for an extended period is like a two week vacation in Neverland.
A bit more death and destruction than I prefer but I guess that’s the way it goes when you’re fighting an evil king-magician-spellcaster person who didn’t know for a couple of centuries what kind of pain he caused. The dragons hook up but sadly for the hero (and us) Eragon floats off into the sunset alone. Although, with a life expectancy of 1k years plus, he still has a chance to get the girl, or elf, or dwarf, or …. Four books in umpty-dozen languages and a movie under his magic belt at age 27. A great start for Christopher Paolini author of “Inheritance.”
Suspending disbelief is a great tool for creatives.

When a human being consciously believes they are offering their life for a cause greater than themselves, they choose the path of hero.
I may not support the cause, however, I honor the individual for the nobility of their act and respect a person’s right to choose how they may possibly die.
With honor to the men and women who serve…
Yesterday, my US Air Force veteran spouse and I visited the Dignity Memorial Wall, a replica of the Vietnam Veterans Memorial Wall, now on the final leg of it’s tour before retirement to a museum.
As a Marine Corps wife during the Vietnam war, the wall brought back powerful and painful memories. I’m profoundly grieved by this compelling reminder we humans have been involved in the earth experience for thousands of years and haven’t yet found a peaceful way to resolve international differences. I pray every day we get a lot smarter in a very short time. Since Lysistrata, mass sexual boycott has been a powerful tool for peace consciousness. Hello? An end to combat may really be so simple.
Turning from the memorial to look across the grounds I saw recruitment tents. To make sure I read the situation correctly, I approached a uniformed man behind the table:
Me: “Are you recruiting?”
He: “We’re trying not to.”
Me: “What’s your purpose here then?”
He: (Indicating a precision fan of brochures and pamphlets) “We’re providing information and handing out presents.” (Presents was the term he used for trinkets marching between the pamphlets. Do military marketers really believe we’d raise young people gullible enough to sign their lives away for a few gimcracks?)
Me: “So you’re recruiting?”
He had the grace to look chagrined and didn’t answer. To his credit, he couldn’t lie.
Most folks, whatever their their political or military persuation, would acknowledge using a memorial as a shil for business is ill mannered at the least. The title of the traveling exhibit and the stark reality of a recruiting presense set up an irreconcilable dissonance for me. Exploitation of the intense and vulnerable emotions from those at a vigil for the thousands of men and women who served and died is conscious less.