
Peeps and I had a wonderful time in Bend experimenting with encaustic collagraphs. Thanks to Ron Schultz for showing me how to use the encaustic to make a printing plate.

Peeps and I had a wonderful time in Bend experimenting with encaustic collagraphs. Thanks to Ron Schultz for showing me how to use the encaustic to make a printing plate.
Practice with additive and subtractive wax applications. Not exactly what I’d envisioned yet the painting comes close. I wish I’d photographed the layers. The first few were lovely.
Sort of like a giraffe. Only shorter.
I guess you have to be there.

Encaustic, 8” x 8”, 2011
The bull-in-the-china-shop method of encaustic is nice for beginning experiments, however, I seriously need instruction from someone who’s been there because my newly invented wheel is incredibly square.
Encaustic, 8”x8”, 2011Douglas Colyer
After three aborted drawings made the trash bin today, I had a creative breakdown and went to pick up some of the basics for encaustic. If any of the beeswax pros look too closely they’ll see a myriad of technical errors, however, I had a blast and after the frustrating studio day it was either this or chocolate.
The piece comes close to what I envisioned. Intuition said stop one layer earlier yet this version is still satisfying for a first timer. I enjoy the result of pushing the hot wax to create texture on the surface.